Parents' Guide to

Pretty Baby: Brooke Shields

By Jennifer Green, Common Sense Media Reviewer

age 14+

Docu tackles sexualization of girls; swearing, alcoholism.

Movie NR 2023 138 minutes
Pretty Baby: Brooke Shields: Two pictures of Shields, one younger, one older

A Lot or a Little?

What you will—and won't—find in this movie.

Community Reviews

age 17+

Based on 2 parent reviews

age 18+

Topics disturbing and visually crosses the line. Too much nudity and sex.

Too much nudity and sex. I’m so glad my kids were not watching this with me. Footage from old films (not including images of Brooke Shields) include full frontal nudity of women, as well as a bare breast being exposed to a young boy. That was a very disturbing scene for me. Also disturbing were the scenes when Shields is being sold as a child prostitute in her early movie Pretty Baby. Obviously intended to be disturbing, and it was, very. Not something I want even my adult children to view. This is my review from only watching the first 20 minutes of the documentary.
age 15+

More nudity than stated

I grew up in the age of Brooke Sheilds so I was looking forward to seeing this documentary. Realizing that there would be sexualization I turned to this app to see how much. They said only bare bottoms were shown. Within the first 20 minutes breasts were shown. Don’t know how they missed that! So if that is something you would rather not see, this isn’t the show to watch.

Is It Any Good?

Our review:
Parents say: (2 ):
Kids say: Not yet rated

This documentary is a smartly packaged, news-making walk down memory lane -- or an introduction to a pivotal public figure of the late 1900s, depending on your age. While the sources tapped for Pretty Baby: Brooke Shields tell solely Shields' side of the story (as viewers will have come to expect from similar subject-approved documentaries), the editing keeps the film engaging and interesting. The documentary is presented in two one-hour segments, split between childhood and adulthood, but can be watched as a single film. In it, Shields reveals events from her past, such as a sexual assault (she doesn't name names), and she describes her own feelings today about that time. An end scene introduces her husband and two daughters (an unusual moment in a film to bring in new voices, but it works), listening as the three women debate how teens posting bikini selfies to their social media feeds is different from Shields being made to pose nude at age 9, or how 20-something actors portray teens in sexy films today, unlike Shields' star turn at age 11 in a film about sex workers. It concerns agency, which is a central theme to director Lana Wilson's story about Shields, who comes across as intelligent and reflective at age 57.

Shields describes how she had to mature early due to her unreliable, alcoholic mother, Teri, but how she also didn't develop real self-confidence and intellectual or emotional independence -- the belief that her own opinions mattered -- until much later. She portrays her first husband, tennis star Andre Agassi, as being just as controlling as her mother. Through montages, Wilson positions Shields as a central character in shifting tendencies of her time, especially in terms of embodying the cultural shift in "sex symbols" from the voluptuous stars of 1950s-'60s Hollywood to pre-pubescent girls like Shields, which here is depicted as a reaction to the 1970s feminist movement. It also looks at elements of the 1980s-'90s shift toward conservatism as well as to "infotainment" -- such as when Shields' revelation about her virginity competed for headlines with the fall of the Berlin Wall. Inappropriately fawning over Shields' juvenile beauty, the male interviewers, photographers, and directors (and Calvin Klein, who laughs at being a "bad boy" for knowingly sexualizing 15-year-old Shields in ads) come off the worst in this film.

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