Parents' Guide to

Diary of the Dead

By Cynthia Fuchs, Common Sense Media Reviewer

age 18+

Gory zombie movie raises questions about media.

Movie R 2008 95 minutes
Diary of the Dead Poster Image

A Lot or a Little?

What you will—and won't—find in this movie.

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age 11+

Based on 5 parent reviews

Rarityfan2019
Rarityfan2019 Adult
January 8, 2020
age 15+

Oh Mummy!

Classic zombie movie tropes meets with the modern and very early Youtube and Myspace age.
CSMContentDefault
CSMContentDefault Adult
November 22, 2018
age 12+

The butt review: it is not that bad!

See all 5 parent reviews

What's the Story?

DIARY OF THE DEAD follows the same basic plot of George Romero's earlier "living dead" movies: The dead wake up as flesh-eating zombies, and -- while doctors and scientists scratch their heads and the media show and exacerbate panic -- people with guns take over. This time, the action centers on a group of film students from the University of Pittsburgh who are in the middle of shooting their own horror movie when they learn that the nation has been overrun by a plague of zombies. As the illness spreads exponentially, the students' cameras capture scene after scene of chaos, bloody mayhem, and their own violent resistance. Counseled by their drunken, wise, and very weary professor, the students debate their duties as journalists as they make their way toward home in a Winnebago, hoping against hope that their families haven't been infected. But each new location brings more tragedy and horror.

Is It Any Good?

Our review:
Parents say (5 ):
Kids say (3 ):

Romero's decision to marry an old plot and a new time is a sharp one. Part of what happens -- as in 1968's Night of the Living Dead -- is division along visible difference. The zombies change into monstrous, scabby, bloody, and slow-walking creatures; but before then, they're like us, and so carry with them emblems of their lives: golf sweaters, curlers, sneakers. At one point, a powerful, gun-toting tough guy admires film student Debra (Michelle Morgan), noting their similar hardiness and determination. This brief bit of bonding and mutual admiration goes a long way in a film so suffused with brutality and betrayal.

The fact that the first instance of zombification -- which is broadcast on TV and then uploaded to the net so it becomes "viral" -- involves a Latino family suggests that Romero is making an allusion to current questions of immigration and legality. As the monsters are soon revealed to be the very families the students seek to rejoin, the issue of who's "them" and who's "us" becomes very complicated. Smartly, the students' first-person cameras only compound the problem; some feel obligated to disseminate all available information, including terrible, uncensored imagery that constitutes a kind of "truth." Upset when they learn that cable and local news and the government weren't showing everything, the twentysomethings are moved to show the world what's really happened.

Talk to Your Kids About ...

  • Families can talk about how this movie fits in with Romero's other "living dead" films (the first came out in 1968). How does this one update the earlier movies' themes or ideas by using the Internet and digital technology to record the devastation? What is the movie saying about the media's role in large-scale disasters? What is the larger message here? How does having that message set Romero's movies apart from other zombie flicks?

Movie Details

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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